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In the world of fan edits, there are two prevailing tendencies, which I’ll refer to as the preservationist and the revisionist (although there’s a lot of overlap). And like fanfic, they often reveal surprising things not just about the fans involved, but about how we think about storytelling in general.
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Fan edits, at their best, can serve as a showcase for considerable talent in editing, film restoration, and special effects. In the case of Star Wars, fan editors recut, restructure, and even radically augment the original films to fix problems, address perceived shortcomings, or serve an artistic agenda of their own. Fan edits are a sort of fanfic executed with Adobe Photoshop and Final Cut Pro: a chance for enthusiastics to engage directly with their favorite-or most hated-works of art, in a way that is guaranteed to reach a small but receptive audience. George Lucas, which I watched twice in a row one night last week. Over the past few days, I’ve found myself sucked into the curious world of Star Wars fan edits, thanks to the wonderful documentary The People Vs. Wells said, and he was perfectly right-except, of course, for the passion among certain fans to create their own version of Star Wars. “No passion in the world is equal to the passion to alter someone else’s draft,” H.G.